-When you plan the realization of a film project, what are your objectives?

I would like people, when watching my films, to ask themselves questions and perhaps discover within themselves aspects they may never have considered before. I realize this is a very high aspiration, but hasn’t this always been the true purpose of art?

-With Artificial Intelligence, cinema is undergoing a phase of transformation even more radical than the one that occurred in the 1920s with the transition from silent films to sound. What is your opinion on this?

A surgeon can use a scalpel to operate on a patient and save their life, or they can use the same instrument to commit a crime. It’s all a matter of measure and common sense. Technology shouldn’t frighten us but inspire us to create things that are even more interesting and expressive. Relying entirely on machines, in any field, could be very dangerous.

-To which production or distribution company would you like to propose your new project? Give us a profile, including some examples.

I would simply like to have no constraints and to maintain full control over my work. I would hardly accept conditions that limit what I want to express.

-WILD FILMMAKER can now “sit at the table with the big players” alongside The Hollywood Reporter and Variety during the Cannes Film Festival, but we have chosen to continue being a Global Cultural Movement with an ethical mission: to bring democracy into cinema, placing the Work of Art at the center of our project rather than Marketing. Do you think we are doing a good job?

I have always thought that your commitment, dedication, and respect toward content creators are truly commendable. I respect everyone who promotes creativity and beauty, and I hope that you will continue to be a constant point of reference for all of us.