-When you plan the realization of a film project, what are your objectives?
When I plain the realization of a film project , my objectives are to truly touch the heart of a producer-director but also of the viewer by various means. Since my screenplays are already published by my publisher (Edilivre Editions) , I ‘m referring to the booksellers who distribute them on their sites. I give interviews with you: Wild Filmmaker. I ‘m presenting the teaser formy screenplays on your tube channel. Like my scenarios are also historical, various articles written by journalists are published such as in L’Indépendent or on the Rennes- Le- Château Web Gazette ( I have written also ten historical books on the mystery of this treasure of Rennes the Castle ). I received 283 Awards Winner with my feature film screenplay about the treasure of Abbe Sauniere of Rennes the Castle and the holy Grail of the Templars , competing in numerous international film festivals.
-With Artificial Intelligence, cinema is undergoing a phase of transformation even more radical than the one that occurred in the 1920s with the transition from silent films to sound. What is your opinion on this?
In artificial intelligence , there is the adjective artificial. Consequently, not the very essence of a reflection that aims for transcendence and transforms into creativity.
At the heart of the imagination, thousands of ideas take root , like birds thirsting for ideals , surfing on our emotions to transform them into beautiful tableaux.
As I am medium , my screenplays are also written thanks to mediumistic visions , which adds mystery to the plot and also amplifies the power of images. I’ have already played the role of my heroine in my screenplay about Camille Claudel . I identified with this great sculptor. She literally inhabited me during the filming of a pilot sequence in Marseille by Benjamin Burghartz with my friend the great painter Raymond Mustacchi , as I am also a highly regarded painter myself.
The same applies to my fictional screenplay about the treasure of Rennes –le- Chateau . I would like to propose to the producer who wants to make the film the role of Florence , this protagonist and medium essential to the plot of the story , because there ‘s nothing better than playing myself as a medium.
-WILD FILMMAKER can now “sit at the table with the big players” alongside The Hollywood Reporter and Variety during the Cannes Film Festival, but we have chosen to continue being a Global Cultural
Movement with an ethical mission: to bring democracy into cinema, placing the Work of Art at the center of our project rather than Marketing. Do you think we are doing a good job?
Yes , you are doing a good job!
Because marketing is not art and therefore neither creativity , nor talent can find its a place in this bargaining . Great creators have never followed fashion , nor have they submitted to the dictates of money and profitability as industrialists do in the pursuit of productivity. Beauty of a work lies in the genius of the artist who stands out from the norm through their innovative originality , often misunderstood by everything that falls under the normative category.
The artist’s freedom cannot be bought. And at Wild Filmmaker , we respect each creator in their way of working.
And now with Wild Filmmaker, I hope to capture the attention of a producer at the Cannes Film Festival’ s film market , knowing the film rights are one hundred percent with me and not with my publisher .
