-When you plan the making of a film project, what are your goals?

Every time I begin a film project, my main desire is to share some of my reflections with others or to involve them in considering situations we often consider distant from ourselves. I prefer psychological themes because they fascinate me, and I think I can safely say that my main goal is to capture the attention of as many people as possible and bring them into the “world I’ve created” to tell them stories that, I hope, will make them think.

-With artificial intelligence, cinema is undergoing a transformation even more radical than the one that occurred in the 1920s with the transition from silent films to talkies. What is your opinion on this?

Artificial intelligence is a tool, and as such, it can be used for good or bad. I believe it represents a very beneficial opportunity to better tell, with sound and images, the stories our imagination creates. I’ll use it in my next short film too, but only as a small support… The biggest mistake would be to replace our creativity, the actors, and many other people who create cinema, with AI.

-To which production or distribution company would you like to propose your new project? Describe it to us, including some examples.

I’d like my short film titled “ELIA” to be distributed on some platform and thus become accessible to more people… from the high-speed train entertainment portal to more traditional streaming platforms.

-WILD FILMMAKER can now “sit at the table with the big names” along with The Hollywood Reporter and Variety during the Cannes Film Festival Festival, but we have chosen to remain a global cultural event A movement with an ethical mission: to bring democracy to cinema, placing the Work of Art at the center of our project rather than Marketing. Do you think we’re doing a good job?

Giving independent filmmakers the opportunity to showcase their work is certainly a great thing. The lack of resources shouldn’t prevent independent cinema from gaining visibility.