-When you plan the realization of a film project, what are your objectives?

When I plan the realization of a film project, my first objective is always to create something that carries soul, emotion, and meaning. For me, cinema is not only visual storytelling—it is a spiritual language where music, image, silence, and symbolism come together to awaken something deeper in the audience.

I begin with the essence of the message: what transformation do I want the viewer to feel? Whether it is love, healing, transcendence, hope, or the journey between light and darkness, I want each project to elevate the human spirit and leave a lasting emotional resonance.

As a composer and filmmaker, music is the heart of my creative process. I often hear the soundtrack before I see the images. The orchestral atmosphere, the rhythm of emotion, and the energetic vibration of the film guide the visual direction. My objective is to create harmony between sound and image so that the audience does not only watch the film—they feel it.

Another important objective is authenticity. I want each project to reflect my artistic identity: mystical, cinematic, poetic, and universal. I believe art must be honest and timeless, not only technically beautiful but spiritually true.

I also value excellence in production—strong cinematography, meaningful editing, symbolic aesthetics, and a visual language that can communicate across cultures. Since my work reaches international festivals and audiences worldwide, I always think globally while keeping the emotional core deeply personal.

Ultimately, my objective is simple: to create films that inspire, heal, and connect people with something greater than themselves. If a viewer finishes one of my films feeling more light, more peace, or more hope, then I know the project has fulfilled its purpose.

-With Artificial Intelligence, cinema is undergoing a phase of transformation even more radical than the one that occurred in the 1920s with the transition from silent films to sound. What is your opinion on this?

I believe Artificial Intelligence is one of the most significant transformations cinema has experienced since the transition from silent films to sound. Just as sound expanded the emotional and narrative possibilities of film in the 1920s, AI is now opening new dimensions of creativity, production, and artistic expression.

For me, AI is not a replacement for human sensitivity—it is a powerful creative instrument. Art is born from consciousness, emotion, intuition, and spiritual vision. Technology can assist, amplify, and accelerate processes, but it cannot replace the soul of creation. The heart of cinema will always remain human.

As both a filmmaker and composer, I see AI as an extraordinary tool that allows independent artists to dream bigger. It helps us create visual worlds, orchestral textures, cinematic atmospheres, and complex productions that once required enormous budgets and large studios. It democratizes possibilities and gives voice to creators who might otherwise never have access to such resources.

At the same time, I believe responsibility is essential. We must use AI with ethics, originality, and artistic integrity. It should support authenticity, not imitation. True cinema is not made only with technology—it is made with vision, courage, and purpose.

In my own work, I use innovation as an extension of imagination. Whether through music, visual storytelling, or symbolic narratives, I see AI as a bridge between the invisible world of inspiration and the visible world of film.

Cinema is evolving, but its mission remains the same: to move hearts, awaken consciousness, and tell stories that transcend time. AI can help us reach new horizons, but the soul behind the art must always lead the way.

-To which production or distribution company would you like to propose your new project? Give us a profile, including some examples.

I would like to propose my new project to production and distribution companies that value artistic cinema, visionary storytelling, and projects with strong emotional and international resonance. My work lives between music, film, and spiritual symbolism, so I seek partners who understand cinema not only as entertainment, but as an immersive artistic and transformative experience.

One ideal profile would be companies connected to independent auteur cinema and international festival circuits, such as A24, known for supporting distinctive artistic voices and films with strong identity and emotional depth. Their approach to cinematic storytelling and visual originality aligns with the poetic and symbolic nature of my projects.

I also admire companies like Pathé and StudioCanal, which have a strong presence in Europe and a tradition of supporting elegant, cinematic productions that travel internationally through festivals and global distribution platforms.

For projects that merge music, visuals, and elevated emotional storytelling, I would also look toward platforms such as Netflix or Amazon Prime Video, especially for worldwide reach and access to audiences across continents. Today, streaming platforms have become powerful bridges between independent creators and global viewers.

My ideal collaboration would be with a company that believes in originality, beauty, and spiritual depth—where a film can be both cinematic art and a universal emotional experience. Projects like “Heaven,” for example, are not simply music videos; they are visual journeys of transcendence, healing, and light. I look for partners who can understand and amplify that vision.

Ultimately, I seek not only distribution, but resonance: a company that can help transform a personal artistic vision into a global emotional experience for audiences around the world.

-WILD FILMMAKER can now “sit at the table with the big players” alongside The Hollywood Reporter and Variety during the Cannes Film Festival, but we have chosen to continue being a Global Cultural Movement with an ethical mission: to bring democracy into cinema, placing the Work of Art at the center of our project rather than Marketing. Do you think we are doing a good job?

Yes and wonderfully!