-What are your expectations for 2026?

What are my expectations for 2026? Definitely to continue studying to become a better artist, to experiment, to be a better and fairer person, even towards others, despite everything around me. To have the strength to face future challenges, both in art and in life itself. But for me it’s the same thing because art IS MY LIFE! I hope in 2026 to be able to create something new, something the public doesn’t know but that resonates with them, something that can touch people’s souls, to leave a positive mark in a world full of negativity. I hope in 2026 to have a real turning point in my career, that can raise my limits and that I can reach them. I hope to meet serious people, unique people, with true artistic goals, honest people who don’t make fun of anyone, honest and humble people despite their talent. And I expect to further broaden my horizons and my journey!

-What projects are you currently working on?

I have two projects I’m working on. One project will be a tribute to a great Italian actor, who has inspired me for many years. Only great artists could understand him. A true revolutionary who, despite everything, always showed his power. On stage, he never acted, but was himself. For me, a great role model and a true and unique artist: the great Carmelo Bene. I will recite some Shakespearean acts, adapted by him, and a reading of some verses from Dante Alighieri’s Inferno, all in his style. And another project, based on a poem by the great Mikhail Lermontov, entitled THE NOVICE, tells the story of a man who confesses his sins and prepares for religious life, but first seeks the freedom of his soul and his inner light. A project very dear to me, which I’ve had in mind for a year. Now I’ve reached the right maturity and culture to do it. Both were filmed on stage. I’ve been attached to the theater since I was a child. Theater is my life, I’d die for it. It’s always been my dream to combine theater and film, and now I think I’ve achieved it, but there’s always room for improvement. I hope these two projects turn out as well as my previous ones. Both will be wrapped up in one film…one project.

-What would you ask event organizers in the film industry to do in order to support the creativity of highly talented independent artists like yourself?

They should listen to us, give us our artistic freedom, give us at least one real chance to play well. They should have a broader, not narrower, vision; they should be hungry for knowledge and emotion. They should help young people gain more self-esteem. Above all, they should not be vulgar and believe in us more. Even if we’re original, that doesn’t mean we’re wrong.

-What vision or desire currently guides your artistic choices?

I don’t want to be one of the greats, I don’t seek great fame, I don’t want to be a superstar, there are too many of those. I don’t want to be the heir of this or that.

I’m working and studying to be a stage animal in the future, an emotional beast, a fiery torch that warms the souls of the audience.

I don’t feel like an actor; actors pretend in one way or another. I want to tell the truth, the light, the dream that comes true. This is true art.

I don’t know where it will take me; life, unfortunately, is very unpredictable. But one thing is certain: I WILL NEVER GIVE UP. When I die, they’ll be able to say…” There was also a certain Vincenzo Amoruso.”