Where does your desire to express yourself through art come from?
I wrote my first poems at the age of eight. For me, it has always been about magnifying the beautiful—capturing the transcendence of a thought that longs to be universal. It’s a whole set of correspondences—sounds, colors, emotions—that take form through the many expressions of my art: painting, writing, and mediumship. Mediumship, in fact, is the foundation of all my inspiration.
What are your goals as an artist?
To seize eternity in mid-flight—within a single breath of inspiration—so that elusive beauty can come to life through my fingers and the act of creation.
What is your opinion on the cultural industry?
Not much! For me, God is the source of all life, and even more so, of all artistic beauty. The cultural industry should serve to awaken humanity—to guide it toward self-transcendence. It is in our very nature as human beings to enter into communion with the infinite, to embrace the marvelous.
Do you think independent artists today have enough opportunities to share their creativity?
Not enough—outside of social networks or platforms like Wild Filmmaker, which do offer valuable space for expression. I publish my books and exhibit my paintings, which allows me to showcase the full range of my artistic talents.
But in cinema, it’s more difficult. My international screenplay “The Priory of Sion and the Treasure of Rennes-le-Château” has won 260 awards, yet I still haven’t found a producer.
What new project are you currently working on?
I’ve just completed my eighth book—“The Book of Wonders”—a poetic, esoteric, and historical work that will be published at the end of September by Book Envol Editions.
I’m also revisiting my fiction screenplay “The New Triumph of Camille Claudel”, published by Edilivre Editions. It explores a reimagined chapter in Claudel’s life, focusing on a new passion—with a man other than Rodin.
