Month: August 2024

In a Tamasic World

BEST INDIE MUSIC VIDEO & BEST EUROPEAN FILMMAKER

Déjà Vu On The Ledge

BEST EXPERIMENTAL SHORT PROJECT

Can’t Figure It Out

BEST ORIGINAL FILMMAKER

Thankful

BEST ORIGINAL WRITER

Sitting in a Dream – Golden Hair music video

BEST INTERNATIONAL MUSIC VIDEO

I Wish for You

BEST ACTOR (Jeremy Irons) & BEST CINEMATOGRAPHY

True Friend

BEST AMERICAN NARRATIVE SHORT & BEST ORIGINAL INDIE FILMMAKER

In a Whole New Way

BEST INDIE DOCUMENTARY SHORT

Teddy

BEST ARTHOUSE MUSIC VIDEO

The Sea of Hope

BEST INTERNATIONAL ANIMATED PROJECT

A Story Unfinished

BEST ORIGINAL EXPERIMENTAL FILM

The Assassin’s Apprentice 2: Silbadores of the Canary Islands

BEST INDIE DIRECTOR, BEST AMERICAN ORIGINAL SHORT FILM

The Order

BEST INDIE DOCUMENTARY

Routine

BEST SCREENPLAY, BEST ORIGINAL IDEA & BEST AMERICAN INDIE PRODUCER

Union

BEST INTERNATIONAL FILM & BEST ORIGINAL DIRECTOR

Remnant

BEST ORIGINAL NARRATIVE FEATURE, BEST ORIGINAL SCREENPLAY & BEST FILMMAKER

BEST ORIGINAL INDIE FEATURE SCRIPT

Fellini…a film of no return

BEST INTERNATIONAL ARTHOUSE DIRECTOR & BEST EXPERIMENTAL AMERICAN SHORT FILM

Ricchezza vera

BEST HUMAN RIGHTS MUSIC VIDEO & BEST EUROPEAN SINGER

Dinner with Dante

BEST ORIGINAL SHORT FILM & BEST ARTHOUSE FILMMAKER

The Dead Ringer

BEST ARTHOUSE SCREENWRITER

Hot Afternoons Have Been in Montana

BEST INSPIRATIONAL FILM

Queen: Checkmate for the King

BEST ORIGINAL DOCUMENTARY FEATURE

In It Now (Asmin)

BEST ARTHOUSE SHORT FILM & BEST ORIGINAL INDIE DIRECTOR

Dojo

BEST NARRATIVE SHORT FILM, BEST ACTING, BEST ACTION MOVIE & BEST ORIGINAL SCREENPLAY

Lost in 24

BEST ORIGINAL NARRATIVE FEATURE

Deci – La base aerea di Decimomannu

BEST EUROPEAN DOCUMENTARY FEATURE

Rodeo

BEST WRITER

Alta California

BEST ORIGINAL FEATURE SCRIPT

Pirandello’s Wife

BEST INTERNATIONAL SCREENPLAY

Hiding Bodies

BEST ARTHOUSE SHORT & BEST CAST

Pink City Film

BEST EUROPEAN ACTRESS & BEST ARTHOUSE EXPERIMENTAL PROJECT

TALITA l’abbandono

BEST EUROPEAN EXPERIMENTAL FILM

The Priory of Sion published by Edilivre Editions France

BEST EUROPEAN ORIGINAL FEATURE SCRIPT

Flint&Ema

BEST ANIMATED SHORT FILM

Bat Sheva (The Daughter of 7even)

BEST ORIGINAL SCORE

Anything You Lose

BEST INTERNATIONAL DIRECTOR (Category: Documentary Feature)

Wave Man

BEST EUROPEAN FEATURE SCRIPT

Thinking

BEST ORIGINAL INDIE SHORT FILM

Artists and Aliens

BEST ORIGINAL SCI-FI & BEST SOUNDTRACK

Emergency Musical Response; Part 1- Journey to Netherworld

BEST ARHOUSE NARRAIVE SHORT, BEST SCREENWRITER & BEST CINEMATOGRAPHER

Love Is My Gun

BEST ARTHOUSE MUSIC VIDEO

The Priory of Sion

BEST INTERNATIONAL FEATURE SCRIPT

Scrupus

BEST DANCE FILM & BEST ORIGINAL EDITING

4 Estações

BEST EUROPEAN NARRATIVE SHORT, BEST POETRY SHORT FILM & BEST CINEMATOGRAPHY

Soul

BEST ORIGINAL PROJECT & BEST FILMMAKER

Halloween (Rabbit Well Episode 6)

BEST EXPERIMENTAL COMEDY, BEST ANIMATED SHORT PROJECT & BEST ARTHOUSE FILMMAKER

Ellida

BEST ARTHOUSE NARRATIVE FEATURE

Canovaccio

BEST LGBTQ+ FILM

Apples, Oranges, Lemons & Limes

BEST DIRECTOR (Category: Narrative Short), BEST INDIE PRODUCER & BEST CAST

The Lost Village

BEST ORIGINAL DIRECTOR

Eye of the Storm

BEST BIOGRAPHICAL DOCUMENTARY

THE BLANKET – Die schwarze Decke

BEST INTERNATIONAL SUPER SHORT FILM & BEST INDIE PRODUCER

The Seagulls’ Dream

BEST INDIE WRITER

Cherzoso The Silent Film

BEST ORIGINAL NARRATIVE SHORT

Paradox

BEST ORIGINAL SCI-FI

Late for Work

BEST ORIGINAL SCORE

The Addends

BEST EUROPEAN INDIE SHORT FILM

Americans in Israel

BEST INTERNATIONAL DOCUMENTARY SHORT

Prison With Open Dors

BEST INDIE FILMMAKER (Category: Documentary Short)

Final Fire

BEST AMERICAN FEATURE SCRIPT

Flames of Love

BEST INDIE TELEVISION SCRIPT

Secrets of Marguerites

BEST INDIE SHORT FILM & BEST SCREENPLAY SHORT

Say My Name

BEST FILMMAKER, BEST NARRATIVE SHORT & BEST ARTHOUSE CINEMATOGRAPHER

The Girl Who Faded Away

BEST INDIE PRODUCER (Category: Music Video) & BEST INTERNATIONAL SONG

Americans in Japan

BEST DIRECTOR (Category: Documentary)

Sunday in the park with Clare

BEST ORIGINAL MUSIC VIDEO

The Girl Made of Earth and Water

BEST ANIMATED SHORT FILM

Not Without Gloves

BEST INSPIRATIONAL INDIE DIRECTOR & BEST EXPERIMENTAL SHORT FILM

Seasoning of the Soul

BEST ARTHOUSE NARRATIVE SHORT & BEST EDITING

Ye Ole Glorya

BEST INTERNATIONAL COMEDY

Big Momma Earth

BEST DIRECTOR & BEST SCREENPLAY (Category: Comedy)

Cabaret Cuba

BEST DIRECTOR (Category International Documentary Feature) & BEST ORIGINAL IDEA

Dojo

BEST ACTION MOVIE, BEST NARRATIVE SHORT, BEST INDIE PRODUCER & BEST MARTIAL ARTS FILM

An impossible secret

BEST ORIGINAL FILMMAKER & BEST INDIE CAST

Hearing Voices

BEST INTERNATIONAL HORROR & BEST DIRECTOR (Category: Horror)

Office Chatter

BEST ORIGINAL NARRATIVE SHORT & BEST SCREENPLAY SHORT

Shenanigans Pilot

BEST INTERNATIONAL TELEVISION SCRIPT

Corelli – Trio Sonata, op.3 no.5 (v. 2)

BEST EXPERIMENTAL PROJECT

Monument to Love

BEST PRODUCER & BEST INTERNATIONAL DOCUMENTARY FEATURE

Balkan Jazz

BEST ARTHOUSE DOCUMENTARY

DADDY BLUEBERRY-just like a movie

BEST EXPERIMENTAL DIRECTOR

Luzinete

BEST INDIE DIRECTOR

The Sicilians

BEST ORIGINAL FEATURE SCRIPT

Help

BEST EXPERIMENTAL FILM

It’s the Gravy

BEST COMEDY FEATURE

Prima del giorno dopo

BEST INTERNATIONAL ARTHOUSE SCREENWRITER

Dreams

BEST INDIE DOCUMENTARY SHORT

The Stones of Rome

BEST ACTOR & BEST ORIGINAL DIRECTOR

The Pathos of Hamlet

BEST EXPERIMENTAL EDITING & BEST AMERICAN INDIE FILMMAKER

Bagel Dog

BEST INTERNATIONAL SHORT SCRIPT

Virulence

BEST INTERNATIONAL FEATURE SCRIPT

E40S

BEST INDIE ORIGINAL SHORT FILM

Who’s Annie?

BEST INTERNATIONAL ARTHOUSE NARRATIVE SHORT

L’amour est temps de reflets

BEST EUROPEAN DIRECTOR

The Screecher

BEST EUROPEAN SCREENWRITER

Sheldon Gets Fired

BEST INDIE COMEDY

Missing in Plain Sight

BEST PILOT TV/ORIGINAL TELEVISION SCRIPT

I Can’t Save You

BEST SUPER SHORT FILM

Brothers of Babylon

BEST AMERICAN WRITER, BEST INDIE FEATURE SCRIPT & BEST ORIGINAL IDEA

Life Protection Bureau

BEST INTERNATIONAL DRAMA

The Zen Art of Stone Squeezing

BEST ORIGINAL DOCUMENTARY SHORT

EarthLove

BEST ARTHOUSE MUSIC VIDEO

The Brawl

BEST EUROPEAN DRAMA & BEST ORIGINAL DIRECTOR

Out of State-A Gothic Romance

BEST PICTURE & BEST INDIE FILMMAKER (Category: Narrative Feature)

M – Demon Killer

BEST ORIGINAL FEATURE SCRIPT

Buffalo Free Time

BEST ORIGINAL MUSIC VIDEO

Sisters of Vengeance

BEST FILMMAKER (Category: Indie Short)

Chasing The Midnight Sun – Last Run Against Climate Chage

BEST EUROPEAN DOCUMENTARY FEATURE & BEST FIRST TIME DIRECTOR

-What and who has inspired you the most in your artistic career?

Before I went to The School of the Art Institute of Chicago, I studied oil painting with
Rebecca Alex at San Mateo City College. I was overly proud of myself and signed up
her Level Two class. The first day of class, Rebecca told me to drop Level Two and to
enroll her Level One, after she saw my artwork. She pointed out that I did not have
enough foundation. To this day I owe her a thank to her honesty and being the first
artist to help me building my skills. Our final project for our class was to study a master
painting and apply the style to create a new painting. That semester, I studied Gerhard
Richter’s “Reader” and painted “Prince of Monte Carlo”. I named my painting
“Temptation” originally. I renamed it to “Prince of Monte Carlo” years later. Gerhard
Richter’s “Reader” was relocated to San Francisco Museum of Modern Art right before I
went to Chicago. I remember that I sit in front of that painting for at least half an hour,
admiring and feeling astonished. I was thinking, “How could such beautiful painting
being created!”.

-Every true artist is also a revolutionary against power. Do you think there is still room
today to express one’s revolution through art?

I was a study nerdy girl, when I was young. I found that boys usually look down at
nerdy girls. Maybe we can do something about it?

-We live in a world where, unfortunately, war still exists. Do you believe that if there
were more dissemination of art through the media and social networks, the world would
be a more peaceful place?

Love is the antidote. Art is one form of Love.

–Are you working on a new project/. If so, can you give us a sneak peek?

I just finished writing a new animation short script. The title is “Horse Ride”. It is about
how Dork Girl conquers her fear toward riding a horse.

–What and who has inspired you the most in your artistic career?

Luchino Visconti , the genesis of life in its deepest features . Even when life murmurs at Visconti , it has
movement . Emotion relaxes in gestures made of graces. But also the beauty of images pierced by the fire of life , rise of creativity where the extraordinary is read in God and in the bold move . Pieces of life coming out of its cranial box and which reconstructs the puzzle of the human condition that he follows multiple coordinated paths between them by the horizon of endless creativity . And to possess the keys to Eternity is to create .Give me Visconti strength to abolish time .

Because Absolute when your hold us ,the light never goes out .
To the excellence of Visconti ,we can only respond with excellence otherwise it would be to stray into
mediocrity of style. Just follow the awakening of thought through the pleasure of the Heavens .But also
the most beautiful thought generates the mirror of time in a ball of emotions .Our future is not mad e to
wait . Understand that time is experienced in perpetual renewal. Also obsession with Visconti is the word ,the creativity in the gift of heaven . For my part the sun entered my life a day of black desire .Visconti ,this is the life in his eagerness of an incandescent light .

-Every true artist is also a revolutionary against power. Do you think there is still room today to express one’s revolution through art?

Yes , I believe . Prowess of the sky : divine idea . His majesty the verb which says a word but which says
everything . Surprise yourself , prodigy time where even the pain carries life . The page that becomes blue , that becomes God ! Ascend to heaven , ascend to the firmament where nothing id denied of innate beauty . White birds of the sky and of peace take on the color of life . Child the gift of God : the marvelous . The host : this rising sun that never sets . Crunch a star ,a piece of absolute it’s having a piece
of eternity in your mouth .

-We live in a world where, unfortunately, war still exists. Do you believe that if there were more dissemination of art through the media and social networks, the world would be a more
peaceful place?

Yes of course ! In ability to develop and to enrich humanity of the new dawn in the mirror of creativity that vehicle medias. But it needs to love God . To write , this is what I do best in my life because
the best thing in my life is God ! Take me eternity and sublimate my art ,my words in this grace of believing in them .We never tire of the thought wrapped in Eternity . Cups of Gold , cup of Christ , I drink to infinity The black crows of this little death that is inertia see themselves overthrown by the movement of life.

-Are you working on a new project? If so, can you give us a sneak peek?

Yes , Camille Claudel a famous woman who transcends through a strong personality made of passion . The title of my screenplay published by Edilivre Editions in France : “the new triumph of Camille Claudel “ with my pseudo of writer Florence Taveau And also I experienced the joy to playing the role of Camille in a sequence pilot : Camille at Marseille by Benjamin Burghartz ( to see on your tube ) .

-What and who has inspired you the most in your artistic career?

I have never taken a writing course, per se. My background is academic: BA, MA, PhD and teaching dramatic literature. So, my inspiration comes the writers who came before me, or those currently writing. Ideas, plots, structure, challenges—all are provided by writers. I was brought up with a love and
respect for Shakespeare. In my formative years I explored the works of Samuel Beckett which led me to existentialism: Sartre, Gabriel Marcel, etc. My PhD thesis was on the works of Ben Jonson whose “Bartholomew Fayre” (1614) provided the background for my “Rodeo.” In my teaching at the university, I
introduced students, and myself, to the works of so many writers and thinkers.

-Every true artist is also a revolutionary against power. Do you think there is still
room today to express one’s revolution through art?

“[Writers] are the unacknowledged legislators of the world,” Percy Bysshe Shelley. This is the true challenge. The word “revolution” invokes large-scale images: war, politics, etc. But there are also smaller, but not unimportant, challenges: a woman’s struggle against control by her husband (“Pirandello’s
Wife”), the poor manipulated by those who have power and wealth (“Borderline Justice”), a historical truth reinterpreted by later generations (“Alta California”), and so many more. Continued questioning is in my bones.

-We live in a world where, unfortunately, war still exists. Do you believe that if there were more dissemination of art through the media and social networks, the world would be a more peaceful place?

In my work “And We Were Left Darkling” I explored which predominates in humans: love or power. I was haunted by Yeats’ question: “what rough beast, its hour come round at last, /Slouches towards Bethlehem to be born?” We know and experience power daily. Does love, decency, respect have a place in the
world? In my script, two men, Adolf Eichmann and Raoul Wallenberg, play chess in an unspecified limbo. The former worships a god of power; the latter a god of love. Can we, in a world filled with power, hate, etc. attempt to know someone like Wallenberg, a force of love? Or are we destined to be left “darkling”?

-Are you working on a new project? If so, can you give us a sneak peek?

“I can’t go on! I’ll go on!” (Samuel Beckett, The Unnamable). I’m always working at something. I recently wrote a novel for young adults, “The Boy Who Earned His Magic.” Again, there is the human dichotomy as competing characteristics battle within the characters. This story also allowed me to note and explore the different elements that make up the United States. The central character, Howell, is joined in his quest by a blind Latino boy, a Navajo girl, and a deaf Haitian girl. All bring their different languages, different ways of seeing, and different myths to the story. Plus, their tale is set in the dramatic desert landscape of the Western United States. Recently, I decided to transform “The Boy Who Earned His Magic” into a series of one-hour teleplays: six in total. The earlier ones, including the pilot, are already winning national and international festival awards.

–What and who has inspired you the most in your artistic career?

For me, the need to create and elevate soul vibrations for a 5th dimensional world on Earth is a profound source of inspiration. The Universe, God, and my own Soul are the great inspirations that drive my artistic journey.

-Every true artist is also a revolutionary against power. Do you think there is still room today to express one’s revolution through art?

Art is a transformative force, catalyzing change within individuals’ minds and souls. The unity of love in people’s minds, hearts, and nations is the most powerful force that brings us together.

-We live in a world where, unfortunately, war still exists. Do you believe that if there were more dissemination of art through the media and social networks, the world would be a more peaceful place?

Inner peace is the cornerstone of a peaceful spirit. Creating art with the intention of fostering inner peace can profoundly impact humanity. Social media has played a vital role in spreading this message of peace.

-Are you working on a new project? If so, can you give us a sneak peek?

-Excitingly, I am currently working on a new project—a portal of abundance that brings prosperity, love, beauty, and profound insights to our world. Through artistic music videos, I aim to express my love for humankind and the existence of light and love in the universe. 

-What and who has inspired you the most in your artistic career?

The heyday of film in Europe was when I was a teenager going to the cinema in the seventies and eighties. Great Italian, French and English films, extremely talented directors and actors shaped my taste. I didn’t grow up on thrillers or horror films, but on the real, lasting value. I was a teenager, I couldn’t help it, I was lucky. At that time, in my country, Hungarian cinema was also extremely good. I came into contact with many directors, actors and film professionals. It is difficult to single out any of them. He recently received the Bunuel Lifetime Achievement Award, which I was happy about, because he was one of my favourite film directors, for example. So I was inspired not by a master but by an era.

–Every true artist is also a revolutionary against power. Do you think there is still room today to express one’s revolution through art?

I am not quite sure. A revolutionary is always working against something, rebelling, leading people. An artist becomes a nuisance to a power because he refuses to compromise. That he represents truth and value even if the leadership of a country or society does not. Because as an artist he sees facts and events from many sides, he can judge the true content of reality. The obvious. And that is what he represents. It makes him an enemy of the powers that be. And if he is talented, and has an audience, and many people listen to him, then he is indeed almost like a revolutionary. But he is not. In today’s world, anyone who wants peace between man and man, who tries to understand different cultures and different opinions, is becoming an obstacle for the leaders of a country. But this is not a revolution. Revolution is very rarely started and made by artists. If they did, they went crazy about it later. But if you can create a revolution with your talent within your own art – theatre, film, literature, visual arts – it means you will find disciples and followers. Like Jesus. He teaches, not fights. I apologise for the simile. But yes, indeed, the artist can do a lot to make people in a lying society feel the truth and decide between truth and lies.

Translated with www.DeepL.com/Translator (free version)

-We live in a world where, unfortunately, war still exists. Do you believe that if there were more dissemination of art through the media and social networks, the world would be a more peaceful place?

When a war breaks out, the artist is too late. He cannot influence the process. All he can do is build stories from situations during wars as lessons. But in war, the masses are not primarily concerned with art. So these works are really only for our descendants, our children. To learn from where and what our era went wrong. Because we know that where there is war, where only one man is killed for the sake of others – there is no justice. Because people are not fighting each other directly. But the arms companies, the politicians, the power maniacs, and all for money and profit. There are no lofty principles. Specifically: we can give Israel credit for wanting to repair the damage done to it. But, at the same time, we must see a desperate people walking up and down a small area in desperation, constantly burying their dead. As in Ukraine, so in the Gaza Strip, there is more and more destruction, buildings in ruins, people dying underneath. What can an artist do? Like a photographer, he can capture the moments. But this is very important. That when it’s all over, we can express the pain through film, so that another tragedy happens as late as possible.

The world would be a more peaceful place if art could take its old place, when an artist’s opinion mattered, when he or she could influence the course of society with his or her work. That time has passed. But we must nevertheless trust that our films can influence the way we live.

-Are you working on a new project? If so, can you give us a sneak peek?

In 1335 there was a famous meeting of kings in Hungary, where the rulers of Central Europe formed a very strong alliance. And after that there were no wars for a very long time. And there was economic prosperity, prosperity. Simply because good people came together in a strong alliance. A lot of what happened then is relevant to today. In 1996 they tried to re-establish this alliance, but it has now become clear that they will not succeed. But if it succeeds as it did then, in 1335, there may be no economic crisis, no Ukrainian-Russian war, and many other things. This film will be shown in October, and we are working on the post-production of it. We are using quite modern means to depict that period. Because I would like to affirm that it is not too late, that with a sensible coalition we can perhaps improve our lives now.

-What and who has inspired you the most in your artistic career?

I have been very lucky and blessed with great teachers since childhood. Growing up in Buenos Aires and later living in Tel Aviv and Los Angeles, I was always surrounded by creative people. Yet my seven years living in Rome with my wife Ruth were critical. We had two great teachers. Bruno Zevi, a historian and critic, who stimulated us to learn from architecture and art history; and a genial architect, Luigi Pellegrin, who taught us to look at architecture, art, film, and our surroundings with a critical eye. He also led us to study Frank Lloyd Wright’s works and ideas. This brought us to travel to photograph over one hundred of his works across America. In parallel, I loved good cinema since I was a teenager, and later, when living in Rome, we encountered some great filmmakers. Yet it was in 2012 when I started to do short documentaries, mostly about architecture and the arts.

-Every true artist is also a revolutionary against power. Do you think there is still room today to express one’s revolution through art?

Of course! Look at Ai Wei Wei, at Davis Guggenheim’s “An Inconvenient Truth.” Look at Picasso’s Guernica, at Poliforum Siqueiros in Mexico City. Our great mentor, Pellegrin, was a revolutionary architect. And I also had heroes in other disciplines.

-We live in a world where, unfortunately, war still exists. Do you believe that if there were more dissemination of art through the media and social networks, the world would be a more peaceful place?

I would hope so, but I am not sure. The Medici family significantly impacted Renaissance art, yet their regime was bloody. Great art of the 19th and 20th centuries did not stop two world wars. As for today’s media and social networks, there is much confusion and lack of education to discern what is meaningful art and what is not. In doing architecture and art-related films and considering the short span of attention of most people, I am cautiously optimistic.

Are you working on a new project? If so, can you give us a sneak peek?

I am concerned about the future of the planet. We need exponential transformation at an unprecedented speed and scale to safeguard our existence and that of future generations on this planet. How to make a meaningful contribution through film is not easy. I am considering my next project to relate to this subject. As a sneak peek of that direction, the trailer from a previous short documentary, A Permaculture Path, may give you some idea of what I am trying to do. To watch the trailer, please go to: https://vimeo.com/936452710

Wax Colors

BEST ORIGINAL FEATURE SCRIPT & BEST AMERICAN SCREENWRITER

Roses are Blind

BEST INTERNATIONAL THRILLER & BEST ARTHOUSE SCREENWRITER

Omnipotent Resolution

BEST INTERNATIONAL MUSIC VIDEO, BEST DANCE NARRATIVE SHORT, BEST SONG & BEST ARTHOUSE SINGER

Trouble In Paradise

BEST INDIE DIRECTOR & BEST CINEMATOGRAPHER

Stay With Me

BEST  ORIGINAL SCREENWRITER

Doumi Girls

BEST ORIGINAL NARRATIVE SHORT, BEST SCREENWRITER (Category: Narrative Short) & BEST INDIE DIRECTOR

The Priory of Sion

BEST EUROPEAN FEATURE SCRIPT

Two Stoners

BEST INTERNATIONAL SUPER SHORT FILM

The Stones of Rome

BEST AMERICAN NARRATIVE SHORT & BEST ORIGINAL DIRECTOR

The Pathos of Hamlet

BEST INDIE PRODUCER & BEST INTERNATIONAL INSPIRATIONAL SHORT FILM

The Lost Village

BEST DIRECTOR

Hot Afternoons Have Been in Montana

BEST VIDEO POETRY & BEST ARTHOUSE EDITING

Sand in the Crack

BEST COMEDY

Parenting Without Screems

BEST DOCUMENTARY SHORT & BEST DIRECTOR (Category: Indie Documentary)

We love Everywhere

BEST EUROPEAN DIRECTOR

We’re Gonna Come Back

BEST ARTHOUSE MUSIC VIDEO

Atlas of Uncertainty

BEST ORIGINAL IDEA & BEST SOUND DESIGN

Dojo

BEST NARRATIVE SHORT FILM, BEST ACTING, BEST ACTION MOVIE & BEST ORIGINAL SCREENPLAY

Alta California

BEST INTERNATIONAL SCREENWRITER, BEST SCREENPLAY & BEST AMERICAN FEATURE SCRIPT

Passacaglia

BEST INTERNATIONAL PICTURE & BEST PRODUCTION COMPANY

Borderline Justice

BEST ORIGINAL WRITER

The Assassin’s Apprentice 2: Silbadores of the Canary Islands

BEST INDIE PRODUCER, BEST ORIGINAL DIRECTOR & BEST ORIGINAL SHORT FILM

Routine

BEST FILMMAKER, BEST CINEMATOGRAPHER & BEST ARTHOUSE EDITING

Malcolm

BEST INTERNATIONAL ACTOR

Change The World

BEST ARTHOUSE DOCUMENTARY SHORT & BEST FILMMAKER

Eye of the Storm

BEST INTERNATIONAL DOCUMENTARY & BEST DIRECTOR

Remnant

BEST NARRATIVE FEATURE, BEST DIRECTOR (Category: Narrative Feature) & BEST PRODUCER

Thankful

BEST WRITER & BEST INTERNATIONAL FEATURE SCRIPT

Soul

BEST ORIGINAL PROJECT & BEST FILMMAKER

Halloween (Rabbit Well Episode 6)

BEST EXPERIMENTAL COMEDY, BEST ANIMATED SHORT PROJECT & BEST ARTHOUSE FILMMAKER

The Dead Ringer

BEST INTERNATIONAL ORIGINAL SCREENAPLAY

Risveglio Planetario

BEST INDIE MUSIC VIDEO

5 Marzo 1955 Una Canzone Per Carla

BEST EUROPEAN ERTHOUSE PROJECT

13 Driver’s Licenses

BEST DOCUMENTARY SHORT

An impossible secret

BEST INDIE DIRECTOR, BEST ACTRESS & BEST ACTOR

BLIND FAITH: Moments of Missed Understanding

BEST EXPERIMENTAL FILM & BEST EDITING

TALITA l’abbandono

BEST ARTHOUSE EXPERIMENTAL FILMMAKER

Bitter Brownies

BEST INDIE NARRATIVE SHORT

Hitched

BEST TV/PILOT & BEST INTERNATIONAL INDIE WRITER

Can’t Figure It Out

BEST ORIGINAL DIRECTOR & BEST INSPIRATIONAL FILM

Luzinete

BEST INDIE PRODUCER & BEST ARTHOUSE SHORT FILM

Prima del giorno dopo

BEST EUROPEAN FILM & BEST SCREENPLAY

Anything You Lose

BEST DOCUMENTARY FEATURE & BEST ORIGINAL CINEMATOGRAPHY

Cosmic Light

BEST INTERNATIONAL MUSIC VIDEO & BEST SINGER

Alchemy On The Amstel (III)

BEST EXPERIMENTAL DIRECTOR

Bat Sheva (The Daughter of 7even)

BEST ORIGINAL SCORE

Not Without Gloves

BEST INTERNATIONAL ARTHOUSE DIRECTOR

L’Amour est temps de reflets

BEST ARTHOUSE EUROPEAN DIRECTOR & BEST CINEMATOGRAPHER

Colombano & La Ventunesima Fetta

BEST EUROPEAN INDIE FILM

Thirty Days

BEST DOCUMENTARY FEATURE & BEST INDIE FILMMAKER

Emergency Musical Response: Part 1 – Journey to Netherworld

BEST FIRST TIME DIRECTOR

Luzinete

BEST NARRATIVE SHORT, BEST SCREENPLAY SHORT, BEST DIRECTOR (Category: Narrative Short) & BEST MAKE-UP ARTIST

Not Without Gloves

BEST INSPIRATIONAL DIRECTOR, BEST EXPERIMENTAL CINEMATOGRAPHY & BEST ORIGINAL EDITING

Monument to Love

BEST DOCUMENTARY SHORT & BEST CAMERA OPERATOR

Dojo

BEST ARTHOUSE SHORT FILM, BEST INTERNATIONAL FILMMAKER, BEST INDIE PRODUCER & BEST ACTION MOVIE

Bat Sheva (The Daughter of 7even)

BEST ORIGINAL SCORE & BEST ORIGINAL IDEA

Atlas of Uncertainty

BEST VIRTUAL REALITY PROJECT & BEST SOUND DESIGN

The Stones of Rome

BEST ORIGINAL INDIE NARRATIVE SHORT & BEST EXPERIMENTAL EDITING

The Pathos of Hamlet

BEST ACTOR & BEST AMERICAN NARRATIVE SHORT

The Assassin’s Apprentice 2: Silbadores of the Canary Islands

BEST AMERICAN DIRECTOR, BEST CAST & BEST ORIGINAL SHORT

Routine

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The Quest for Camelot

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