Month: February 2026

-Who is L. Scooter Morris?

I am a sensory illusionist.   My technique as a visual artist employs the integration of color, light and texture with many surface variations and includes mixed media. Sculpted Paintings® (my registered brand), uses the texture created by layering canvas on canvas.

The addition of the founding documents of the United States symbolizes the struggle we have endured. The colors that I use in the flag and landscape paintings embodies the beauty and wonder of our spirit and the written words found throughout the work are a testament to the very nature of who we are as a people.

 As a filmmaker, Tipping Point has expanded the experience of seeing the images and prose and the impact on the viewer becomes of this moment and our shared experience moving forward. 

As an artist, there is an attempt to balance what is stated and what is suggested.   I hope to share my work through many mediums, and I aspire to convey personal insight through a universally understood concept.

-Do you remember the exact moment you fell in love with cinema?

After watching the Ten Fingers of Dr. T., I became intrigued with the story and its effect on my psyche. Later, I realized the memory of that film had a profound influence on my way of thinking as to what is possible in film, by the telling of the story and what is revealed in the imagery.

-Tell us about your project “Tipping Point”.

I am reminded of the story around The Statue of Liberty.  Poet and activist Emma Lazarus wrote the poem “The New Colossus”, as a fundraising effort for the pedestal on which to place the statue.

The sonnet was not originally attached to the statue, but subsequently, became the identifying symbol of liberty.

Tipping Point is the culmination of my paintings and poetic prose to initiate a visual conversation around who we are and what we could aspire to as people living in this nation or any nation.

Everyone is searching for the hero to fix our current situation, but a hero isn’t an abstract concept.

It’s you, it’s me, it’s us, together. We are the heroes we have been searching for. We can remedy this situation that is unlike the very nature of who we are.

-Which Director inspires you the most?

My favorite projects include a bit of magic, the spark of creativity, the inclusion of invention of the unique and a sense of elevated style.  I do not lean towards stories that have a literal way of viewing the world. I feel that most sophisticated work has grown beyond that way of storytelling.

-What do you dislike about the world and what would you change?

I try to work using my insight and skill and endeavor to create the realization of my vision.

This applies to every medium, even film. Yet, if the message is too distorted it will not be understood.

So, there is a need to be practical regarding the interplay between invention and reality.

-How do you imagine cinema in 100 years?

Our world has become so changed in the past one hundred years; we can only imagine what capabilities might be possible in the future. Surely technological advances will be a factor in what is said and how it is stated.  Truly, I hope that we can use technology in positive ways to help all people have wonderful lives, that no one is sick or homeless or hungry. I feel real concern that there is already a battle for resources, but if these concerns are abated, then perhaps many people can use future technologies to create in unimagined ways.

-What is your impression of WILD FILMMAKER?

Thank you for using your platform, Wild Filmmaker to gather the thoughts and impressions, insights and creative processes of diverse creatives.  It is an essential tool in exposing what is happening in the world of constantly evolving filmmaking.

– Who is Jordan Destin?

I’m a French-American actor and producer based in Los Angeles. I was born in France, and I’ve been passionate about acting since I was a kid. Today, I’m focused on film and television projects, both in front of and behind the camera. I’m a member of SAG-AFTRA, and I’ve been fortunate to work on a variety of productions, including TV series and independent films. I’m also involved in producing, which allows me to help shape stories from the ground up. At my core, I’m someone who loves storytelling, collaboration, and taking on roles that challenge me. I’m driven, adaptable, and always looking for ways to grow — both as an artist and as a person.

–Do you remember the exact moment you fell in love with cinema?

Yes, I remember it clearly. I was eleven, sitting in a tiny theater in Orléans. There was a moment in the film when everything went silent, and it felt like the whole room was holding one breath. I’d never felt anything like that. I walked out knowing, deep down, that cinema wasn’t just something I loved — it was where I belonged

-Tell us about your project “FOOLPROOF”.

Foolproof is a mini-series I’m both acting in and producing. It follows two brothers who plan a risky heist to save their father, and the story digs into the moral lines people cross when they’re desperate. For me, the project is about authenticity — keeping the tension real, the emotions grounded, and the characters human. Being involved creatively from the start let me shape a world that feels raw and honest. At its core, Foolproof is a story about family, loyalty, and the price we’re willing to pay for the people we love.

-Which Director inspires you the most?

The director who inspires me most is Denis Villeneuve. There’s a quiet intensity in his work that I connect with — the way he builds tension through atmosphere rather than noise. His films feel alive, almost haunting, and every frame carries purpose. What I admire most is his ability to balance scale and emotion. No matter how big the world is, the human story is always the heartbeat. That’s the kind of storytelling I aspire to.

-What do you dislike about the world and what would you change?

What I dislike most about the world is how quick we are to disconnect from one another. We move fast, we judge fast, and we forget to see the human being in front of us. If I could change one thing, it would be to bring more empathy into everyday life — not in a grand, idealistic way, but in simple moments. Listening before reacting. Trying to understand before assuming. I think the world becomes a very different place when we choose empathy first.

-How do you imagine cinema in 100 years?

A hundred years from now, I think cinema will be even more immersive — maybe blending physical spaces, AI, and storytelling in ways we can’t fully grasp yet. But even with all the technology, I believe the heart of cinema will stay the same: a human story that makes you feel something. So in my mind, the future of cinema is bigger, more interactive, maybe even participatory — but still driven by emotion, truth, and connection. That part never changes.

-What is your impression of WILD FILMMAKER?

WILD FILMMAKER is inspiring because it champions independent voices and authentic storytelling. It’s a platform that values creativity and merit over budgets or connections, giving filmmakers a real chance to be seen. For me, it aligns perfectly with my approach: raw, human stories that connect with people, not just the market.