BEST ARTHOUSE MUSIC VIDEO & BEST INTERNATIONAL SINGER
Idiopathy
BEST INTERNATIONAL FEATURE SCRIPT
Remnant
BEST ORIGINAL NARRATIVE FEATURE, BEST DIRECTOR, BEST SCREENWRITER, BEST CINEMATOGRAPHY (Category: Narrative Feature) & BEST ARTHOUSE PRODUCTION COMPANY
The Girl Made of Earth and Water
BEST INTERNATIONAL SUPER SHORT FILM
The Call Center
BEST INTERNATIONAL PILOT TV
Fire Flies
BEST ORIGINAL FEATURE SCRIPT OF THE YEAR
Darker Realities
BEST INDIE WRITER OF THE YEAR
Artists and Aliens
BEST ORIGINAL SCORE & BEST INTERNATIONAL SCI/FI FILM
Brothers of Babylon
BEST AMERICAN SCREENWRITER OF THE YEAR & BEST INDIE FEATURE SCRIPT
Dinner with Dante
BEST INTERNATIONAL SHORT SCRIPT
Because We Are Too Many
BEST INTERNATIONAL NARRATIVE FEATURE & BEST DIRECTOR (Category: Narrative Feature)
Sitting in a Dream – Golden Hair
BEST INTERNATIONAL DIRECTOR (Category: Music Video)
Thankful
BEST ARHOUSE FEATURE SCRIPT & BEST ORIGINAL IDEA
Teddy
BEST MOBILE FILM & BEST EXPERIMENTAL CINEMATOGRAPHY
Dojo
BEST ARTHOUSE NARRATIVE SHORT FILM, BEST ACTION MOVIE, BEST CINEMATOGRAPHY & BEST ACTING
The Stones of Rome
BEST INTERNATIONAL ARTHOUSE SHORT FILM & BEST AMERICAN ACTOR
The Pathos of Hamlet
BEST ORIGINAL INDIE SHORT FILM & BEST ORIGINAL EDITING
Pirandello’s Wife
BEST AMERICAN WRITER OF THE YEAR
The Mongrel
BEST INTERNATIONAL TELEVISION SCRIPT
Eye of the Storm
BEST ORIGINAL DOCUMENTARY FEATURE & BEST AMERICAN DIRECTOR
Sheldon’s Cat
BEST INTERNATIONAL COMEDY
Sheldon Mashugana gets stooged
BEST AMERICAN DIRECTOR (Category: Comedy) & BEST SCREENPLAY (Category: Comedy)
Hot Afternoons Have Been in Montana
BEST VIDEO POETRY & BEST ORIGINAL ARTHOUSE FILMMAKER
An impossible secret
BEST ORIGINAL SCORE & BEST ORIGINAL IDEA
Asherah’s Colors
BEST DIRECTOR, BEST CAST, BEST INTERNATIONAL SCREENPLAY & BEST CINEMATOGRAPHY
In a Whole New Way
BEST ARTHOUSE EDUCATIONAL FILM & BEST INTERNATIONAL SOCIAL CINEMATIC PROJECT
The Order
BEST EXPERIMENTAL SHORT FILM & BEST INTERNATIONAL ARTHOUSE FILMMAKER
The Priory of Sion
BEST EUROPEAN FEATURE SCRIPT & BEST ORIGINAL WRITER
Whispers of Love
BEST AMERICAN FEATURE SCRIPT & BEST ROMANCE SCRIPT
An Ever After Drama
BEST INTERNATIONAL ACTRESS OF THE YEAR & BEST DIRECTOR (Category: Original Narrative Short Film)
Secrets of Montmartre 2
BEST INTERNATIONAL SCRIPT
The Silver Slipper Club
BEST INTERNATIONAL ARTHOUSE WRITER
Giulietta e Romeo?
BEST INTERNATIONAL YOUNG DIRECTOR & BEST ORIGINAL STORY
The Demon
BEST ORIGINAL ACTOR & BEST EUROPEAN SCREENPLAY SHORT
THE BLANKET – Die schwarze Decke
BEST ANIMATION & BEST INTERNATIONAL DIRECTOR (Category: Animated Short Film)
Nossos Caminhos (Our Paths)
BEST INDIE SCREENWRITER
Sonia and Connor
BEST HUMAN RIGHTS SCRIPT
Lacrime di Vento
BEST POETRY SHORT FILM & BEST ORIGINAL EDITING
Non temere
BEST EUROPEAN SONG WRITER, BEST HUMAN RIGHTS SONG & BEST INDIE MUSIC VIDEO
Not Without Gloves
BEST ARTHOUSE DIRECTOR, BEST CINEMATOGRAPHY, BEST EUROPEAN SHORT FILM & BEST EXPERIMENTAL EDITING
The Esteemed Priority
BEST ARTHOUSE ANIMATED SHORT FILM & BEST INDIE PRODUCER
Michelangelo and Me + Da Vinci and Me opener
BEST INTERNATIONAL ARTHOUSE SCREENPLAY
Monument to Love
BEST PRODUCTION COMPANY, BEST ORIGINAL INDIE FILMMAKER, BEST EDITING & BEST INTERNATIONAL DOCUMENTARY FEATURE
Routine
BEST AMERICAN NARRATIVE SHORT, BEST PRODUCER & BEST FILMMAKER
The Assassin’s Apprentice 2: Silbadores of the Canary Islands
BEST ORIGINAL DIRECTOR & BEST EDITING
L’amour es temps de reflets
BEST EUROPEAN INDIE NARRATIVE SHORT
Everland
BEST INTERNATIONAL INDIE SCREENWRITER & BEST ORIGINAL ARTHOUSE FEATURE SCRIPT
Nostalgia
BEST INTERNATIONAL DIRECTOR (Category: Narrative Short Film)
2020: life and death of a virus
BEST EUROPEAN EXPERIMENTAL DIRECTOR & BEST INTERNATIONAL INSPIRATIONAL SHORT FILM
Anything You Lose
BEST INDIE FILMMAKER (Category: Documentary Feature)
I am an Italian composer, director and actress based in Cologne. In 2015 I had my international debut as composer with great success of public and critics at the Deutsche Oper Berlin with the opera „O.H.I.O.-ObstHaine Im Oktober”. I worked with international theatres, orchestras and ensembles, such as Komische Oper Berlin, Oper Köln, FontanaMIX Ensemble and Gulbenkian Orchestra of Lisbon. My work focuses on opera, film, folk music and archaic musical, theatrical and textual arguments. Particularly important is the musical search of the relation between word and sound, where I research a musical style that follows and increase the musicality of the word. In 2022 I started making my films based on my music compositions: „Der Blaue Klang” (The blue sound, 2022) and „Der Rote Klang” (The red sound, 2024). Both films were made starting from my composition for piano „Nach Kandinsky: drei Impressionen”, a work commissioned by FontanaMIX Ensemble in 2021. „Der Rote Klang” won the „8&Halfilm Award” 2024 and the Special event American Film Market 2024 of Las Vegas, both sponsored by Wild Filmmaker, an Honourable mention at „One-Reeler Short Film Competition” in Los Angeles and was selected as quarter-finalist at „Belgrade International Film Festival” and „Art Giraffe International Film Festival” in Nice.
-What has been the greatest difficulty you faced in producing your project?
The whole organization of my film production was a lot of work: indeed, „Der Rote Klang” team was small, but talented and I am honoured to have had the opportunity to work with everybody of this beautiful team and first with Hei Wa Wong, the second director of my film. I am the music composer, the principal director, the screenplay writer and the actress of this movie and we had to shoot several scenes in a closed room, in which I had to smoke a lot. We shot these scenes in one afternoon: the shooting process was intense and a little bit difficult for everybody of us, but the smoking idea was genial for the film and for the music too.
-Do you think the film industry today has been damaged by political correctness?
More than the film industry, the whole world of art is in danger and one of the main causes is the serious human and existential crisis we are experiencing in recent years. We have lost contact with our most human and emotional side; we have lost our sensibility, and we no longer recognise the authentic meaning of beauty and poetry. We are so far from the world of emotions and their truth. We are too distracted, too superficial. Now more than ever we have the urgency to stop and listen to ourselves within, deep, with sincerity and humility.
-What was the greatest source of inspiration for creating your project?
The music, because my films are based on my music compositions. “First the music, then the film”: after composing the music, I write the film direction and the screenplay: the action and the image sequences follow the musical structure and phrasing of the composition, re-proposing the emotional intensity of the music, with a great expressiveness and an incisive language. For example, my composition for piano „Nach Kandinsky: drei Impressionen”, of which „Der Rote Klang” is a part, is inspired by the ideas about colour theorized by Kandinsky in his book „The Spiritual in Art„: from painting came music, and from music, then, the film was born. The original artistic idea, that is, the theories about colour, developed and changed, thus generating a new idea, which is the one narrated in the film.
-If you could ask a question to a great director from the past, who would you like to talk to and what would you ask them?
Visconti, Fellini, Ėjzenštejn, Hitchcock and Truffaut: these are some of the great directors of the past, whom I would like to talk to for hours, but the most important question I would like to ask them is: „Today people have forgot their authentic relation with the sense of beauty, magic and fascination. Will we be able to rediscover ourselves and a genuine relation with art?”
-What do you think of the Wild Filmmaker platform?
I think Wild Filmmaker is a beautiful opportunity for independent and talented directors, because this community gives them the possibility to get in touch with international film festivals, which are connected with the film industry. I really appreciate Wild Filmmaker has invited me to be part of the community, because it gave me the chance to be selected in different international film awards and has awarded my film „Der Rote Klang” at the „8&Halfilm Award” 2024.
