-When you plan the realization of a film project, what are your objectives?

The aspect I care about most is consistency with the project it is intended to play, just as the harmonics accompanying the fundamental note define the timbre of an instrument.

My fundamental objectives are the work’s consistency with the project (be it musical, literary, aesthetic, cinematic, or artistic), with the subject, and with all its component parts (theoretical, practical, or productive). Everything else follows. The more consistent you are, the more you can achieve a successful, powerful, important, and meaningful outcome.

-With Artificial Intelligence, cinema is undergoing a phase of transformation even more radical than the one that occurred in the 1920s with the transition from silent films to sound. What is your opinion
on this?

AI is a medium, so in my opinion, like all mediums, it is neutral. The difference lies in the mind and heart of the person using it. For example, with a fork I can hijack a plane or feed a child, it doesn’t depend on the fork.

Cinema can be a tool of propaganda or authenticity. In any case, it reveals and documents more than its narrative capacity. The difference is determined by the audience’s level of awareness.

-To which production or distribution company would you like to propose your new project? Give us a profile, including some examples.

When I think of a production company, I believe in the encounter, empathy, sharing, and trust that can arise through the proposal of a project. The strength of a project creates synergy, as mentioned above, comparable to the harmonics contained in each individual note. It is this condition, in my humble opinion, that allows the development and realization of a project, which sounds and resonates like a melody.

A contemporary example of a “successful” production are the productions of Paolo Sorrentino, who through his cinematic work, express the skill and unity of a team.

-WILD FILMMAKER can now “sit at the table with the big players” alongside The Hollywood Reporter and Variety during the Cannes Film Festival, but we have chosen to continue being a Global Cultural
Movement with an ethical mission: to bring democracy into cinema, placing the Work of Art at the center of our project rather than Marketing. Do you think we are doing a good job?

Thank you, Wild Filmmaker! The success you have achieved and continue to achieve is directly proportional to the love, dedication, and shared “mission” of every single collaborator who works within it.

Thanks to your commitment, we can participate and contribute, with our works, to the global cinematic landscape.Thank you!