Who is Patricia Planck?
I am a creative producer and writer focused on film and television content. Storytelling is a world I love to go to and see how far I can take it. To develop quality, but original high-concept stories, or story-driven intellectual properties – I care deeply about developing original, high-concept, story-driven projects that feel both engaging and on a journey you might never explore.
My focus isn’t on chasing what fits a big-budget mold, but on creating stories that genuinely connect with audiences—work that feels human, authentic, and lasting. I’m especially interested in stories that open a window into different cultures, with the hope that they not only entertain, make you feel, but also broaden understanding in a real and thoughtful way.
Do you remember the exact moment you fell in love with cinema?
When I first felt the magic, the impossible possible, the power of opening the mind and being inspired.
Tell us about your project “THE ARMCHAIR TRAVELLERS”.
- The story is a wholly original and a high-concept screenplay, with multi-award-winning recognition both here in the US and on the international stage as Best Fantasy/Sci-Fi, and Thriller.
- The Armchair Travellers is a genre-defying cinematic journey – blending fantasy, historical literature, rom-com warmth and thrilling fearless adventures. In a world where books come alive, the most extraordinary story is not found between the covers – but between the lines.
- What begins as a miraculous gift of human desire, all play out across worlds beyond the written word. As the female led ensemble chase their deepest wishes, they discover that dreams can come true- but only some come without a price.
- The “Chair” / Does the chair possess a consciousness of its own, quietly observing and deciding who may wield it? Is it inherently benevolent, guiding its occupant toward healing and revelation, or does it harbor a darker intent, subtly steering events toward chaos?
- It’s full of Wild Magic with Heart. www.thearmchairtravellers.com
-Which Director inspires you the most?
There isn’t one. The directors like the Cohen Brother, or Wes Anderson, to Peter Jackson are just a few because they are not afraid and with vision.
What do you dislike about the world and what would you change?
Opportunity is still unevenly distributed. There’s more information than ever, but not necessarily more clarity, and I think because of this, we seem to be in short supply of kindness, realizing we are all human and beings. I’d want a world that’s a little more intentional and a lot more giving.
How do you imagine cinema in 100 years?
Honestly, with A.I. at our doorstep, I find it hard to answer. However, I believe good stories, by humans, will remain the light in the dark and we will be choosing films to watch, based on human versus A.I. It is already happening.
What is your impression of WILD FILMMAKER?
What matters most to me is that you’re continuing to support the arts at a time when everything is changing so quickly. That kind of commitment isn’t small—you’re helping shape where things go next.
By standing behind storytelling, you’re opening hearts, shifting perspectives, and giving space for work that truly connects with people. That has real impact.
Wild Filmmaker feels fearless in that way, and willing to support bold stories, meaningful voices, and projects that say something. You’re not sitting on the sidelines of change.
And it really does feel like a wave, a big one. The industry is evolving, the world is evolving, and you’re helping carry that momentum in a direction that values stories not just for the moment, but for what they can mean over time.
