Author: Dreamate Demo

In a Tamasic World

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Sky Walker

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The Call Center

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Déjà Vu On The Ledge

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Can’t Figure It Out

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Thankful

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Sitting in a Dream – Golden Hair music video

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I Wish for You

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True Friend

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In a Whole New Way

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Teddy

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The Sea of Hope

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A Story Unfinished

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The Assassin’s Apprentice 2: Silbadores of the Canary Islands

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Routine

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The Order

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Union

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Remnant

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Farmer Joe

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Fellini…a film of no return

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Ricchezza vera

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Dinner with Dante

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The Dead Ringer

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Hot Afternoons Have Been in Montana

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Queen: Checkmate for the King

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In It Now (Asmin)

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Lost in 24

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Deci – La base aerea di Decimomannu

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Rodeo

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Alta California

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Pirandello’s Wife

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Hiding Bodies

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Pink City Film

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TALITA l’abbandono

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The Priory of Sion published by Edilivre Editions France

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Flint&Ema

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Bat Sheva (The Daughter of 7even)

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Anything You Lose

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Wave Man

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Thinking

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Artists and Aliens

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Emergency Musical Response; Part 1- Journey to Netherworld

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Love Is My Gun

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The Priory of Sion

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Scrupus

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4 Estações

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Soul

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Ellida

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Canovaccio

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Apples, Oranges, Lemons & Limes

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The Lost Village

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Eye of the Storm

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THE BLANKET – Die schwarze Decke

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The Seagulls’ Dream

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Cherzoso The Silent Film

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Paradox

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Late for Work

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The Addends

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Americans in Israel

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Prison With Open Dors

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Final Fire

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Flames of Love

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Secrets of Marguerites

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Say My Name

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The Girl Who Faded Away

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Americans in Japan

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Sunday in the park with Clare

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The Girl Made of Earth and Water

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Not Without Gloves

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Seasoning of the Soul

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Ye Ole Glorya

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Big Momma Earth

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Cabaret Cuba

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Dojo

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An impossible secret

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Hearing Voices

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Office Chatter

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Shenanigans Pilot

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Corelli – Trio Sonata, op.3 no.5 (v. 2)

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Monument to Love

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Balkan Jazz

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DADDY BLUEBERRY-just like a movie

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Luzinete

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The Sicilians

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Help

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It’s the Gravy

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Prima del giorno dopo

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Dreams

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The Stones of Rome

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The Pathos of Hamlet

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Bagel Dog

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Virulence

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Boombox (The God of THe Dance) – TV Series (pitch deck)

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E40S

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Who’s Annie?

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L’amour est temps de reflets

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The Screecher

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Sheldon Gets Fired

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Missing in Plain Sight

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I Can’t Save You

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Brothers of Babylon

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Life Protection Bureau

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The Zen Art of Stone Squeezing

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EarthLove

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The Brawl

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Out of State-A Gothic Romance

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M – Demon Killer

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Buffalo Free Time

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Sisters of Vengeance

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Chasing The Midnight Sun – Last Run Against Climate Chage

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Christmas Cards

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The 3rd

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Doubt

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The way of Mizoguchi

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Between Frames

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Angel

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Michel Steiner 64 Agendas

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Hot Air Hippo

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Meat the One

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Katabasis

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Asherah’s Colors

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French Broad

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When the Withered Leaf Awakens

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The Esteemed Priority

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Idiopathy

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Il Demone

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Le Ragioni del Tempo

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Because We Are Too Many

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Der Rote Klang

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Where The Paper Boats Go

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Apart

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Miss Dress

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A Hollywood Mom Short

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Remnant

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Not Without Gloves

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Omnipotent Resolution

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Dojo

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Eye of the Storm

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Thankful

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Am I a painter?/Czy jestem malarzem?

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The Order

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THE BLANKET – Die schwarze Decke

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Roses are Blind

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Monument to Love

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Asherah’s Colors

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Coraggio

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Ricchezza vera

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Atlas of Uncertainty

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The Assassin’s Apprentice 2: Silbadores of the Canary Islands

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Routine

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The Pathos of Hamlet

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The Stones of Rome

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Ye Ole Glorya

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Big Momma Earth

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Cherzoso The Silent Film

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Godforsaken: A STORY OF THREE MARYS (Updated 2024)

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Hot Afternoons HaveBeen in Montana

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Lacrime di Vento

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…of Elephants and Ladies

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Artists and Aliens

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The Esteemed Priority

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Emergency Musical Response: Part 1 – Journey to Netherworld

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The Mongrel

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Alta California

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It’s the Gravy

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Idiopathy

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Fellini…a film of no return

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No Porn Avocado

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Searching for Camelot

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The Demon

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Swords & Feathers

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Grinders

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Sheldon Mashugana Gets Stooged

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Luzinete

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The Golden Year

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1991. Who is your Neighbor?

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Poetry Against the End of the World

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The Cow

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Second Gen

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Man in a Can

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Break the Fall

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Catalysm Down Under – Part 1

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Emergency Musical Response: Part 1 – Journey to Netherworld

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Artists and Aliens

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SONNETS (words in despair)

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An impossible secret

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Remnant

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The Assassin’s Apprentice 2: Silbadores of the Canary Islands

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Routine

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In a Whole New Way

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Change The World

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Monument to Love

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Balkan Jazz

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Idiopathy

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Omnipotent Resolution

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The Priory of Sion

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Not Yesterday, Today!

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Cosmic Light

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Dojo

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Ye Ole Glorya

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Big Momma Earth

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“Only You Can Save Her,” pilot teleplay of series THE BOY WHO EARNED HIS MAGIC

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Uncle Franco’s Birthday Suit

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The Stones of Rome

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The Pathos of Hamlet

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Not Without Gloves

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Here To Stay

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Artists and Aliens

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I Swear

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Because We Are Too Many

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Eye of the Storm

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BLIND FAITH: Moments of Missed Understanding

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Can’t Figure It Out

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Prison With Open Dors

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Sheldon Mashugana gets stooged

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The Dead Ringer

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Non temere

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Ricchezza vera

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The Mountain

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Dragul and Forbes

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When the Withered Leaf Awakens

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Thankful

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Believe In You

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The Demon

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Cate and the Garden Bandits: The Musical

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Who Are These Bugs

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French Broad

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Tony N’ Tina’s Wedding

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L’amour est temps de reflets

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Brushstrokes
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Hot Afternoons HaveBeen in Montana

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Colombano & La 21Esima Fetta

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Coraggio

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Voyeur

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Atlas of Uncertainty

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Nossos Caminhos (Our Paths)

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Luzinete

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The Esteemed Priority

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It’s the Gravy

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Not a Thing

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A Survivor Amongst Survivor’s PT 1

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Tumble Weave

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Der Rote Klang

by Elisa Quarello

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Where The Paper Boats Go

by Konstantinos Xanthopoulos

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Apart

by Luca Pirero

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A Hollywood Mom Short

by Verva Gerse

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Miss Dress

by Panos Boras

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Special INDIE Event at MIA, International Audiovisual Market 2024, Rome

Dojo

BEST INTERNATIONAL DIRECTOR (Category: Narrative Short Film), BEST SCREENWRITER, BEST ORIGIONAL ACTION MOVIE & BEST CASTING DIRECTOR

Not Without Gloves

BEST INTERNATIONAL DIRECTOR (Category: Experimental Short Film), BEST INSPIRATIONAL SHORT FILM & BEST ARTHOUSE CINEMATOGRAPHY

The Pathos of Hamlet

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The Stones of Rome

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Alta California

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The Mongrel

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Uncle Franco’s Birthday Suit

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Monument to Love

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Balkan Jazz

BEST INDIE FILMMAKER & BEST ORIGINAL STORY

The Assassin’s Apprentice 2: Silbadores of the Canary Islands

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Routine

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Searching for Camelot

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Remnant

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The Esteemed Priority

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Non temere

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Thankful

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Hoot Afternoons Have Been in Montana

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Cataclysm Down – Under Part 1

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Ye Ole Glorya

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Big Momma Earth

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SONNE- Never let me go

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Colombano & La 21Esima Fetta

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Canovaccio

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The Priory of Sion

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The Addends – Numeri Ardenti

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Eye of the Storm

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Cabaret Cuba

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The Demon

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Luzinete

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Nossos Caminhos (Our Paths)

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Wave Man

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Roll the dice

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2020: life and death of a virus

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PAULA’S DAD and the right button in his head

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Giulietta e Romeo?

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Etnoragù

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The One Arm Bandit

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Independent cinema is shrouded in fog. What does “independent cinema” mean after all? A low-budget movie? Cinema free from masters, be it politics or the lobby of the moment? My point of view is simple: making independent cinema means being true to myself. Giving life to what I feel. Being willing to do anything to give it life. I am lucky that a small production, “The Shadows Factory” allows me to realize my projects. Respecting the atmospheres I see. Trying to involve the faces I see from the moment of writing. I admit it: I need to have control. Control over locations. Control over stage design. Control over costumes. Control over so many things. I try to take care of everything that can represent a saving on expenses. My second film, Katabasis” is a very personal film. Maybe too much. Already in my first film, “Santa Guerra” I had a role as an actress. In “Katabasis” for an infinite number of reasons I had to be the leading actress. This required a great effort. I’ve been tied up in every way for days, I was grabbed by the neck a total of 78 times, I had wax poured on me for two afternoons, I put out a cigarette in the palm of my hand for 4 times, I stayed in a grave for hours, lots of nude scenes, lots of sex scenes… Well… All these things were the least difficult. There was an even stronger emotional component. And after 2 months I was tired, emotionally destroyed. I was so tired that everything that happened off the set seemed like a parallel life to me. And in this parallel life, one day I saw open an heavy window. It was closed. The impact was very strong. Apparently, however, I only had a little bruise. The makeup solved everything. It wasn’t like that. The days after, I couldn’t see clearly. I blamed it on tiredness. I continued. When I was behind the camera, I couldn’t “focus” anymore. I blamed it on tiredness. And then I was becoming intractable. I didn’t trust other people’s focusing. I had come to trust only my mother’s eyesight. And she’s not an operator or a focus puller. Until, on December 7, 2023, I shot the final scene of the film as an actress. I remember that day that I didn’t feel well and that I asked to repeat the scene more than 50 times. In the end, I closed my left eye with one hand. I couldn’t see anything with my right eye. There was an emergency visit to the hospital. My eye was flooded with blood. The doctors were confused.

For ten days, serious illnesses were hypothesized and ruled out. The cause was simpler and was discovered during eye surgery: after a few days, the impact against the glass had created a hole in the retina. Problem solved. In January, other problems began. This time in my left eye. Between January and October, I had at least eight hemorrhages in my left eye. On October 14, I had surgery. I hope this is the end of a nightmare. All this because of a collision that I didn’t give importance to. Or at least, not the importance it deserved. This experience of mine means nothing. I don’t deserve applause because I took a risk the eyes to make a movie. I’m certainly not a hero. I’m just a person who loves cinema. In fact, I love independent cinema. And when I’m involved in a movie, it comes before everything else, even myself. I think it should be this way. And I think it shouldn’t be forgotten this when you want to become a director (in this case also an actress) of an independent movie.

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-What and who has inspired you the most in your artistic career?

I have been blessed to have had many great people in my life and teachers over the years but the one person that I am most grateful for inspiring me is my late fiancé and co-writer of my album, Erick. He changed my life and enriched it in such positive ways. To have unconditional love is a rare thing on this planet and I definitely don’t take that for granted. He knew my potential, he believed in me and I absolutely love the instrumental pieces of music he wrote for me. When he suddenly and unexpectedly passed away in 2007, three days after we got engaged, I got to see how strong I really was and decided to finish our project on my own. Our project was only half complete at that point and as I had so much emotion during that difficult time of grief I chose to find my courage and channel my heart and soul into the songs and write all the lyrics and melody. I was pushed so far out of my comfort zone and have since grown and learned so much about myself. Once again I got to put in practice all that I had honed as a child studying music to then watching Erick in the studio producing bands for years. Finishing my album by laying the vocal tracks and producing our album at Trackdown, Fox Studios was very important to me and definitely a magical experience I will never forget. I wanted to make him proud, complete our project and keep my promise I made at his bedside. And I have! The unique way this album has come to be is nothing short of miraculous and I feel very blessed. “Tragic Fairytale” is my homage to him and a very special song about love, loss and grief and a reminder to keep an open heart, despite the pain, because true love can never die.

-Every true artist is also a revolutionary against power. Do you think there is still room today to express one’s revolution through art?

Absolutely, I do. Creating my documentary short film Change The World and the soundtrack and seeing my art and life journey inspire people around the world and touch their hearts is such a wonderful gift that I am very grateful for. I have deep compassion for myself and every other woman who has suffered any form of violence and I am honored to use my voice for good and speak for those who can’t. My spirit couldn’t be silenced and to now be heard in every country is something so special and is very hard to describe. When I look back at what I have endured and the miracle of surviving the murder attempt to now having my voice heard and winning these special film festival awards is something I could never have imagined would happen! I vowed to make a stand and leave this world a better place than I found it and I am committed. Women are now finding their voice and self-worth and it is fabulous to see. I feel future generations will look back at this point in time with fascination, shock, and dismay and also awe at the courage women have shown by standing up and speaking out about the injustices and violence they have suffered since time immemorial. The social fabric is changing and I’m hopeful the momentum will continue and begin to move more quickly. I see the future in a positive light. I believe change is possible and that we are at the dawn of a new day. As more and more women are in leadership positions, the world will naturally become a more inclusive one and love will become the focus again. Violence will no longer be a silent global epidemic, all girls will receive an education, and helping others will become our primary goal. We have set the wheels in motion to ensure future generations have a safer and more equal world. My message is one of peace, love and unity and being an example of how to turn tragic into magic is the legacy I am creating. Power to the people and music is the universal language. One should always feel empowered to share their voice through art.

-We live in a world where, unfortunately, war still exists. Do you believe that if there were more dissemination of art through the media and social networks, the world would be a more peaceful place?

That is a every interesting and complex question. It breaks my heart to watch the news and see that war is still happening in the Middle East, Europe and around the world. To think that these atrocities are still happening on Earth in this day and age, is beyond my comprehension. Unfortunately, we live in a society that’s strucuture is built on power, and places such emphasis on status, wealth, beauty and fame. For independent artists of any genre, they are faced with the difficulty of having their work heard or seen in a market that is flooded and algorithms in place. I truly believe that peace starts within and we are all responsible for our own healing. That being said, art can definitely inspire the masses and cause a revolution. We are lucky to live in a time where we have social media and can be in control of our own destiny and choose to put our work out for people to find. If your voice is clear it will resonate and artists need to believe in themselves and create without the desire for an audience. The creative process for me is always organic and I have never been motivated by fame, money or others’ approval. I merely speak and sing from my heart and I am very grateful that I have been heard and am inspiring people. There is no greater joy for me than to know that what I have endured has not been in vain and in fact is touching hearts around the world. If that is what you call “a love revolution” then I can die happy knowing I made a positive difference in this world.

-Are you working on a new project? If so, can you give us a sneak peek?

I am working on a new documentary film right now and even though I can’t say too much at this point, I am very excited to share this film once completed. It’s in alignment with my documentary feature film tetralogy and women empowerment.